
Performances:
Friday, Mar 6, 2026, 7 PM
Saturday, Mar 7, 2026, 11 AM and 5 PM
Anderson Center Theater, 7850 Five Mile Rd, Cincinnati, OH 45230
https://maps.app.goo.gl/MKLRHPFPGAXNDB26A
Tickets:
https://tinyurl.com/DanceLikeMan
Description:
Rangmanch Cincy and NSPA (Nrityarpana School of Performing Arts) present “Dance Like A Man”, a celebrated drama in English by Mahesh Dattani, Sahitya Akademi Awardee, India’s highest award for literature (https://sahitya-akademi.gov.in/). The production includes a diverse group of actors and classical dancers presenting new musical compositions by esteemed virtuosos led by Vidwans G. Gurumurthy. Performances will be conducted on Mar 6-7, 2026 in the Anderson Center Theater.
Contact
Director: Srinivas (Sri) Mirle, srimirle@gmail.com
Rangmanch Cincy

      Rangmanch is a nonprofit organization dedicated to promoting Indian theatre in Cincinnati. Through a blend of classic and contemporary productions, multilingual performances, and educational initiatives, Rangmanch celebrates the richness of Indian theatrical traditions and fosters cultural exchange within the community. Rangmanch has presented packed shows of celebrated Indian theater (“Kauon ki Paatshaala”, 2023; “Charandas Chor”, 2024; and “Padmashree Mister Darling”, 2025) and a dance ensemble (“Nritya Rang”, 2025). More information: https://www.facebook.com/share/14wzQEvVNPk/?mibextid=wwXIfr
NSPA

       Founded in 2004, NSPA is a non-profit organization that was founded for traditional teaching of Indian classical dance and sharing the rich cultural heritage of India. The school has taught  more than 300 students across the Greater Cincinnati region and beyond. The school has held 15 formal dance debuts since 2010.
Today, NSPA has evolved into a dynamic cultural arts center and a leader in multicultural education, celebration, and collaboration in the Greater Cincinnati Area. For example, NSPA launched World Dance 2009 in Cincinnati and the annual event has become a community tradition; 200+ Midwest artists representing 16 countries and 30 dance genres have participated.
“Dance Like a Man”

       “Dance” is a multi-layered masterpiece that explores the overarching role of expectations based on gender, society, socioeconomic status and other biases.
According to ChatGPT, the thought-provoking play evokes consideration of many questions: gendering of dance, or any form of art; balance of personal passion and societal/familial expectations; inter-generational values, even if well-intentioned; ego and ambition and their impact on relationships. Ultimately, “Dance” conveys that authentic self-expression is often stifled by rigid social structures, and that true freedom comes from breaking those barriers, even at personal cost.
“Dance” showcases the timeless splendor of Indian classical arts, even as the drama is set in contemporary Bengaluru with present-day issues. The play is in English, and the universality of the compelling themes will resonate broadly.
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Playwright – Mahesh Dattani

       Mahesh is an Indian director, actor, playwright and writer. He has written plays such as “Final Solutions”, “Bravely Fought the Queen”, and “On a Muggy Night in Mumbai”.
Mahesh is also a film director. His debut film was “Mango Souffle”, adapted from one of his plays. He also wrote and directed the acclaimed movie “Morning Raaga”.
He is the first playwright in English to be awarded the Sahitya Akademi Award.
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Director – Srinivas (Sri) Mirle, PhD                                               Â
      Sri has acted and directed in theatrical productions since his college days at IIT-BHU, Varanasi, India. He acted in Theater at Lehigh productions such as August Strindberg’s “The Father” while pursuing his PhD in Polymer Science & Engineering at Lehigh University. He was active with theater groups in the Washington DC area and appeared in “Kamala”, “Khamosh! Adalat Jaari Hai” and “Ballabpur Ki Roopkatha”. He played a lead role in Mahesh Dattani’s “Final Solutions”, performed at the Smithsonian Institution. He also directed Badal Sircar’s “Bhoma”, which had invited performances at the World Bank and at the University of Virginia. He has been active in assisting with dance drama productions for NSPA. He produced, directed and acted in “Unheard Voices”, presented at the South Asian Theater Festival 2014, Cincinnati and also performed at the University of Maryland. He has written several short plays as well as the three-act play, “Bengaluru”. Most recently, he acted in “Kauon Ki Paatashaala” and “Charandas Chor” with Rangmanch Cincy. He retired as Technical Director – Principal Scientist from P&G and works on individual/team self-growth as a Life Coach and a Trainer.
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Choreography – Anupa Mirle, MBA, MFA  Â
       Anupa is the Founder and Executive Director of NSPA. Anupa possesses an MFA in Dance, an MBA, and an MS in Chemistry, the latter of which brought her to Cincinnati to work for P&G before founding NSPA. Her unique background in the arts and the sciences has helped her to develop powerful dance pieces exploring issues as varied as environment, smoking, and gender balance alongside a traditional dance  repertoire.
She has created and championed cross-cultural enrichment by numerous collaborations with museums, dance companies and arts entities such as Cincinnati Ballet. For example, she co-choreographed the Cincinnati Children’s Theater production of “The Jungle Book”.
Anupa has been recognized for her contributions by awards such as UNESCO (2006 Council of Dance), Ohio Arts Council (2013 Ohio Heritage Fellow) and Eye of the Artist (2015 Dada Rafiki).
Collaboration – Rangmanch and NSPA
The riveting play uses dance as a metaphor to address how norms and beliefs, ours and of others, define how we express ourselves or not. Indian classical dance is a critical component and is interwoven with the fabric of the characters, their interactions and their raisons d’etre.
Rangmanch will collaborate with Nrityarpana and other dancers for the dance choreography and performances.
The presentation will have a frontispiece dance item, along with Margham (performative classic dance journey) elements, and a Tillana-like finale with numerous dancers.
Outreach and Uniqueness
The Cincinnati area has been a haven of diverse arts with remarkable cross-cultural enrichment. For example, many Indian American programs are performed in Indian languages, and the essence is conveyed through prefatory remarks and literal translations. With this play, the glorious vibrancy of Indian dance is shared  in a contemporary milieu with the nuanced idiom of Indian English.  Hence, this play offers the unique direct experience of the universality of multilayered human dilemmas in the elaborate and colorful framework of Indian culture.
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Ticketing Link:
https://tinyurl.com/DanceLikeMan
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Contact
Director: Srinivas (Sri) Mirle, srimirle@gmail.comÂ